Favor's DTX

I am a creator making DTX simfiles for your enjoyment. If you enjoy my work and want to support me, please click the "donate" button below and make a contribution!

Sunday, March 1, 2026

NOCTURNE No.9

NOCTURNE No.9 (Full version of song from DrumMania) by 布袋寅泰

Advanced: 31

Extreme: 47

TV Size: 48

Full: 55

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I Got It Made

I Got It Made by Special Ed

Master: 61

Due to constantly changing BPM and the way I made the chart, I recommend playing this on Dark Mode.

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Bust A Move

Bust A Move by Young MC

Master: 67

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I Wish

I Wish by Skee-Lo

Master: 54

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All Eyez On Me

All Eyez On Me by 2Pac ft. Big Syke

Master: 51

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Regulate

Regulate by Warren G ft. Nate Dogg

Master: 69

Posted by Favor at 11:55 AM No comments:

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Juicy

Juicy by The Notorious B.I.G.

Master: 49

Posted by Favor at 12:02 AM No comments:

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About Me

Favor: Your donations are appreciated! If you have any questions or comments, please leave them somewhere on my blog or contact me through Discord. Suggestions from creators or players are welcomed and encouraged. Please enjoy my work. I have been playing Japanese music rhythm games since the 1990s starting with Dance Dance Revolution. My true love, however, is DrumMania. I was lucky enough to live in a city in the United States that had an arcade with a DrumMania machine. Please check my blog periodically for new songs.

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1) FOR TEACHING AND LEARNING PURPOSES ONLY. 2) I DO NOT INTEND TO GAIN MONETARILY OR THE LIKE WHAT-SO-EVER FROM THESE SIMFILES. 3) PLEASE SUPPORT ANY AND ALL OFFICIAL RELEASES. Copyright Disclaimer Under Section 107 of the Copyright Act 1976:

Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favor of fair use. These files are non-profit, non-commercial, edited, transformed rather than merely derivative, have no (none, zero, nonexistent) effect on the potential market of the copyrighted work, and the amount used is non-substantial.